Having saved for years to take a trip to France, Maya feels disappointed that she has failed to find the studio of her favourite, albeit obscure, painter, André Bosco. Eventually she stumbles upon a café and the mysterious Miss Ruby, who offers Maya a drink from a bottle of absinthe that used to belong to Bosco, and under the influence of la fée verte (the green fairy) she is transported to 1903, where she wakes up in André's studio. It quickly becomes clear to the pair of them that there relationship is not meant to be simply that between a model and a painter. Their passion increases and their love grows, but Maya has to return to her own time. Will their love survive the ages? And will it have changed the past?
The Fairy in the Flesh contains frequent situations of a sexually explicit nature, and some strong language, and therefore is not recommended for younger readers.
Overall I think that I would agree with the publisher that this story would class as a paranormal romance, as there are small elements of magic and time travel that are included in the story. There is a relatively small number of characters, with most of the book focused on the interactions between Maya and André and their passionate affair.
I thought that Leon captured the passion and the impatience of André as an artist extremely well. To him nothing was quite as important as capturing the moments for his paintings. Though I don't personally know any artists, I can imagine that this is similar to what they are like, and even if they aren't, André and the story suited the portrayal well.
The story did briefly touch on issues such as artists being impoverished and not tending to have their work recognised for what they were, which tended to be the case (the only exception to this I can think of is Claude Monet, but there are almost certainly others).
Ignoring the large amount of sex that André and Maya engage in, their relationship tended towards romantic. Each was willing to give up something for the other, and in André's case, that something was even as personal as his ideals. If anything then the story is possibly over romantisised, Maya's ideal man is exactly like André is, but maybe that is all in line with the idea that they are soul bound.
The ending had the opportunity to be sad, bitter sweet or happy, and in this case I am happy to report that it was a very happy ending, which is good, as everyone needs to read about a happy ending every now and again!
The last thing I want to say is, please don't judge this book by its cover, yes there is sex in it, but the story is about so much more than just sex!
Fairy In The Flesh
Genre: Paranormal erotic-romance, time-travel
Publisher: Ellora’s Cave
Number of pages: 85 pages
Word Count: 40k
Cover Artist: Syneca
Maya Rousseau’s fantasy vacation in Avignon France heats up when an eccentric enchantress tricks her into drinking mojo-laced absinthe.
An unexpected encounter with the green fairy causes Maya’s reality to have a serious melt down. She travels back in time and wakes up naked in the bed of her favorite bad boy Bohemian artist, the tall, dark and mysterious André Bosco. There’s nothing wrong with that except it’s 1903.
For André it’s love at first sight. He begs Maya to become his cherished model, muse and lover. The chemistry and shared passion between them is overwhelming. André’s a generous-hearted dream man but there’s a catch. Every hour they spend together bonds them tighter and time is running out. The same powers that flung Maya back to 1903 are preparing to snatch her back.
With a hundred and ten years separating these soul-bound lovers it’s uncertain if they can find a happy ending without the help of a little magic and La Fée Verte.
Note: Story contains super hot sex with an unattainable man, enchanted hallucinatory beverages, mischievous time-twisters and green fairies.
Visit Fairy in the Flesh on Ellora's Cave
Visit Fairy in the Flesh on Ellora's Cave
About the Author:
I’m an artist, an author, mother and wife. I write for Ellora’s Cave, Loose Id Publishing and a couple new publishers to be announced soon. I try to bring a touch of the mystical and a big sense of adventure to everything I write because I believe there’s a bold, kick-ass heroine inside all of us who wants to take a wild ride with a strong worthy hero.
Maya rubbed her tired eyes with the heel of her hand and blinked. It didn’t help. The glare of a dry July day and endless hours looking at art had left her in a dazed state of overload. The rods and cones of her retinas were kaput. Her feet ached too. She’d packed more than she could comfortably handle into her single allotted vacation day in Avignon and was now suffering from a bad case of too much of a good thing.
Tired or not, she felt alive. This was what her soul had been starved for. Since morning she’d wandered Avignon’s street exhibits, tented galleries and somber museums filled with masterpieces, gazing in awe. She’d enjoyed an outdoor concert on the bank of the Rhône and photographed the sunbaked Romanesque ruins of a medieval bridge, where she had stopped just long enough to eat a light lunch. She loved photography and Avignon was the perfect place to indulge a hobby she wanted to take further. When she got home she intended to look back and feel as inspired to revive her art career as she felt at that moment.
The daytrip to Avignon would have been perfect excerpt for one important omission. She’d failed to locate the art studio of her favorite modernist painter, the mysterious André Bosco. It was a shame, because Bosco was the real reason she’d been attracted to Avignon in the first place. She’d been a fan of the obscure painter for years and had hoped to see the place where he had launched his brief but brilliant career, which had inexplicably ended in 1903.
What she’d expected would be a simple task had turned into a bust. To her disappointment she’d seen no plaques displayed anywhere mentioning Bosco, and no one seemed to know much about him. Even the guidebook had been vague, mentioning a single abandoned building as a possible site of Bosco’s studio. A daylong search had proven fruitless and ended in frustration. Within the next hour she’d have to leave Avignon without touching base with one of the great inspirations in her life. Considering Bosco was a local artist of merit, it surprised her that he was so little celebrated in Avignon.
Maya turned the corner and headed into one of the older parts of town. The buildings were quaint. A few were in need of repair. The shadows stretched longer and the narrow streets bustled with foot traffic. The evening festivities had already started and she realized it was time to leave.
A few yards in front of her, a team of young male dancers burst onto the crowded sidewalk and claimed a small circle of smooth pavement as their stage. A heartbeat later they were dancing a wild routine that had them spinning and kicking in unison like the blades of a blender.
Maya dodged past the acrobatic dancers but got trapped in the crowd that had gathered to watch. She recoiled at the last second from one dancer’s lethal backflips and high kicks, which were executed an arm’s length from her nose. She pushed past the dancers but the crowd closed in and she got sandwiched between the exuberant performance and a gritty sandstone wall.
This sort of thing had been happening all day. The official festival d’Avignon had something interesting planned for every hour of the day but all over the city spontaneous off-festival performances took place anywhere a crowd gathered.
The dancing was fun but she was thirsty, tired and just wanted to sit.
“Excusez-moi.” Maya crept along the wall, managing to push through the throng of observers. She reached the doorway of an interesting looking bistro, tugged the door open and darted inside.
Once inside she entered a soothing candle-lit Victorian-era building and found herself in a charming Bohemian-themed bistro with cranberry-red velvet cushions on the seats and colorful curtains of glass beads dangling from the windows. Glowing hand-blown glass lanterns sat upon polished tabletops. A framed Gauguin print of an ebony-eyed Tahitian beauty holding a bowl of pink flowers hung near the bar. The pungent scent of amber incense and cherry pipe tobacco perfumed the air.
It was like stepping back in time to another era. Maya’s senses were instantly transported back to the heady days of the modernist art movement at the beginning of the twentieth century. She savored the feeling because it was her favorite fantasy time period, and one she would have loved to experience firsthand.
It surprised her that for such a busy festival day the bistro was empty of patrons. The only other occupant of the bistro, and presumably the proprietress, was a woman who appeared to be in her fifties who was dressed in the theatrical garb of a flowing- sleeved poet’s shirt, a black satin corset and flouncy red skirt and tall boots. She stood beside the bar looking like some sort of piratical gypsy queen.
“Bonsoir.” The lady spoke French but addressed Maya with a familiar accent.
Maya smiled at the lady. “Puis-je commander un café glacé, s'il vous plaît?”
“Of course you can have an iced coffee.” The woman’s keen gaze locked on Maya. A thick layer of black kohl ringed the lady’s eyes and lent her an unsettling appearance. “I speak English and I’m going to guess that you grew up not far from my hometown of New Orleans.”
“I’m from Thibodaux!” Maya laughed. “There’s no hiding the accent, is there?”
The lady reached for a coffee press and packed it with fresh grounds. “Seeing as how you’re a Louisiana girl I’ll add a touch of chicory to your coffee.”
“Thank you.” Maya sat at the bar, fully realizing just how much her feet hurt from walking all day on cobblestones.
“My name’s Miss Ruby.” The lady brushed her long black hair away from her face and appeared to be studying Maya with intense interest. “What’s yours?”
Miss Ruby poured hot water over the coffee grounds and pushed down on the press. “Rousseau is a wonderful name for an art lover.”
“You sound certain I’m an art lover.”
“Why else would you be in Avignon in July? I know what drew you.” Miss Ruby toyed with one of her dangling chandelier earrings while she waited for the coffee to strengthen. “I realize my current costume makes me look ridiculous as I say this, but I really do possess the gift of second sight and prophecy. You see, I’m a world-class enchantress with the highest security clearance.”
A nervous laugh burst past Maya’s lips. “I didn’t realize enchantresses had to earn security clearances.”
“They certainly do!” Miss Ruby’s eyes flashed. “You wouldn’t believe the stringent tests we must pass. A world-class enchantress must prove beyond a shadow of doubt that she is trustworthy, ethical and has the highest good of others in mind before she’ll be granted the powers I have.”
Maya wondered if Miss Ruby was another bit of festival street theater or an ex-pat who’d forgotten to take her medication. “What special powers do you possess?”
“I’m like a fairy godmother, but my work tends to be grittier than what a fairy godmother might attempt. The moment I meet someone I know exactly what their soul needs. I understand the inner workings of time and space and use them to advantage. I don’t actually break the laws of nature but I know how to bend them. In fact my specialty is time-twisting. I’m like a witch but I call myself a ‘Beneficent’ because I always serve the highest good. The gift is hereditary. My mama was a New Orleans Voodoo queen. I could have stayed in New Orleans too, but I chose to travel the world as a high-level enchantress and an ambassador of magic.”
“I see.” Maya recoiled. It was just more of her bad luck in Avignon. First she’d failed to locate Bosco’s studio and now a crazy lady dressed like a carnival psychic had trapped her in a weird conversation.
Miss Ruby poured the steaming coffee over a tumbler filled with ice and slid the glass toward Maya. “Enjoy.”
Maya sipped the chilled, chicory-laced coffee with relish. “I feel revived.” She drank fast, not wanting to linger in the deserted bistro. She decided it best to gulp the iced coffee, pay and run for her life before the conversation got stranger.
Miss Ruby picked up a chamois and busied herself polishing the brass rail that ran the length of the elegant mahogany bar.
Maya’s gaze wandered toward the far wall and fixated on a framed pencil sketch of a handsome man with a proud, compelling face. The sketch was framed beneath glass and the paper had yellowed at the corners and crumbled with age. She studied the man’s face and guessed he was in his mid-thirties. He had a thick head of wavy dark hair and a rugged face with square, noble features, chevron brows and luminous eyes that glanced sideways from the portrait and seemed to follow the viewer around the room.
Maya found herself unable to look away. The man had a magnetic quality she seldom saw in contemporary faces. It was a look that could only belong to someone who possessed the self-confidence and perhaps a touch of arrogance not to care what the world thought. The generous arch of the man’s lips was so sensuous her thoughts wandered toward what it must have felt like to be kissed by him.
“You like Bosco, don’t you?” Miss Ruby leaned close. “He has a interesting face, doesn’t he? He can appear both compassionate and feral in turn. I’ve heard many differing opinions about the portrait over the years.”
Maya started. “Is that a portrait of André Bosco, the Fauvist painter?” she gasped. “I’m a great admirer of Bosco! I had no idea a portrait existed.” Her heart fluttered. “Did he really look like that?”
“You know of Bosco?” Miss Ruby looked elated. “So few do. History has all but overlooked him, which is a shame because those familiar with his small body of work have hailed him as one of the most innovative painters of his time. Some say Bosco inspired his more famous peers and set the example for the Fauvist moment by showing the world how to paint like a wild beast. Of course, a few of his nastiest critics called him a ‘paint waster’, but it’s clear Bosco had vision.”
Miss Ruby waved her hands through the air in an expansive gesture. “A few art historians have credited Bosco with being the original wild beast, in part because of his physical intensity and unruly head of hair, but also because he had a habit of tossing his paintbrushes aside and smearing the brightest colors across the canvas with his fingertips, with passion. It was said by those who watched him work that he ravished his canvases like a ferocious lover.” She giggled.
“He sounds exciting.” Maya drew a sharp breath. “Years ago, I saw an original Bosco in a traveling museum show of modernist work. Bosco’s painting was the most expressive piece of art in the entire show. I kept wandering back to look at it again and again. The painting was of a white stallion but the colors were vivid—every hue of the rainbow was hidden in the lines and shadows. Before I left the museum I bought a postcard of the painting and carried it around in a battered sketchbook for years. Bosco was my greatest inspiration. I heard a rumor he had a studio somewhere in Avignon?”
“He did.” Miss Ruby pointed upward. “His studio is a corner room on the third floor. The landlord of the building has preserved it.”
“Bosco’s studio is here?” Maya tensed. “Can I see it?”
“No.” Miss Ruby shook her head. “I don’t have permission to open the room, but the landlord will return on Sunday. You can ask him then.”
“I won’t be here on Sunday.” A note of desolation crept into her voice. “This is my last full day in France. I have to start making my way back to Paris tomorrow for my flight home. I’ll miss my only chance to see Bosco’s studio.” Maya leaned across the bar, feeling absolutely desperate to get a look at Bosco actual living space. “Please reconsider—I promise not to touch a thing.”
“I’m sorry.” Miss Ruby nodded toward the top of the bar, where an ornate brass skeleton key dangled from a green satin ribbon. “The landlord is the only one allowed to use that key to open the studio…”
(La Fée Verte, the green fairy is going to make an appearance soon and cause a little mischief. Who do you think ends up getting ahold of that key and going upstairs?)